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Interviews
Levi Roots: The musician behind the sauce - DJ Balls

 Purple Radio MusicAs any listener of Reggae Hour can testify Levi Roots is no ordinary man. Best known for his sauce that puts music in your food; he has a TV cookery show and now a new album. Featuring the single ‘So Out Of My Mind’, the new album ‘Red Hot’ looks set to be one of this years reggae highlights. Music has always been Levi’s original passion and he is a MOBO nominated musician. I caught up with this recording artist via the phone to discuss his current venture. The talk ranged from his impending record release, taste in sauce and preference with the other sex.

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Interview with Empire Of The Sun

By Chris Hay 

Purple Radio caught up with Luke from Empire Of The Sun, the quirky Australian duo set to ignite 2009 with their outrageous dress-sense, surreal ambitions and fantastic retro synth-pop. This is how it went down… 

The incredible costumes, the sci-fi aesthetic, the talk of epic journeys and world domination…is it safe to say Empire of the Sun is more than just a band? 

Yeah man, its an empire! We’re going for a different aesthetic – its visual music colliding into this one crazy powerball… 

 

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Let's Tea Party Interview, 27/01/09

By Chris Hay

Young ‘next-big-things’ Let’s Tea Party have been touring the country with their melodic indie-party sound for two weeks, and popped in to the studio for a chat before their gig at Fishtank…

So you’ve been on tour for a couple of weeks now, hows it been going?

Sam: Yeah we’ve had really good crowd reactions actually, we’ve been really really chuffed with pretty much every gig. They’ve been really good, so intense, properly exciting, last night we were in Coventry supporting La Roux…

So what can we expect from a Let’s Tea Party gig then?

Sam: Balloons, running around, Sam falling over, naked bottoms every night, just fun and frolics!

For those of us that haven’t heard you, how would you describe your sound?

Sam: We certainly try to have as much fun as possible with our music, we go out to have a good time and give it our all with lots of energy…fun sounds, and interesting colourful melodies and driving beats – fun, good time music. We draw on various different influences. None of us really agree on anything, we argue most of the time about music – I think most of what Rich listens to is rubbish and vice versa. That kind of comes across, we’ve got hip-hop vibes, some more folky influences, some electro, disco…

You’re unsigned at the moment, right? How do the mechanics of touring work then?

Johnny: Well, yeah we’re kind of unsigned. We got lucky and had a lot of promoters that liked our sound and reckoned we’d go down well on their nights. Its been very DIY, we’ve been looking for floors to sleep on everywhere…up till last night we managed it but last night we got stuck in a carpark. We were too drunk to get anywhere, we asked a few hotels but they said they were full, which basically meant ‘Go away, you’re drunk!’ so we slept in the car for two hours!

You say you’re ‘kind of’ unsigned – what does that mean?

Sam: Well we’re kind of attached to a small label in West London called MI7 Records and the deal is we do some recording with them and they help us out. They’re wicked people, they’re so much fun, the studio is awesome, great artists in it all the time making incredible music… We haven’t actually put any pen to paper, but we’re in this great environment where we’re meeting all these great people and making some of the best music we’ve made but at the same time we’re tied to anything. We may end up signing…

Rich: But we’re very happy with how it is at the minute, its just great, you go into the studio and there’ll be other artists all around and we all help each other out, there’s a really good vibe.

So what’s the future for Let’s Tea Party?

Johnny: We wanna win a MOBO, that’s the target we’ve set ourselves. Oh, and be bigger than Blur. You know, we’re modest.

Sam: Nah…I mean there will be an album, but we’re in no rush.

Johnny: There’s a single out soon, a double A-side ‘Hot Chip’ and ‘Emmanuella’ which is being mixed at the moment. So yeah, really exciting times.

So within the band, how does the writing process work, who does what?

Johnny: Sam usually writes the lyrics and maybe a melody, Rich will come up with a bassline, I’ll have a drumbeat and then we’ll thrash it out in the studio for a long long time. Then we’ll have an argument…it’s quite a long process.

You’ve written a song about the Darfur crisis. Are you an overtly political band?

Sam: Lyrically I’d say we’re not overtly political – we’ll write about our feelings and what we think, but no not really. That song started off on acoustic guitars as opposed to the more hip-hop, urban feel it has now. It was a lot more folky and almost ethereal at the beginning.

You’re called Let’s Tea Party…who would be at your dream tea party with anyone in the world?

Sam: Sting!

Johnny: Any 20th century dictator, probably Ida Amin.

Sam: We think he’d be a really good laugh…

Johnny: Cheryl Cole…nah she’d nick stuff. She’d be off with our cutlery! Did you not see that Girl’s Aloud video in the carwash? She’s just nicking tires, she rolling them but she’s got that look in her eye saying ‘I’m having these away!’

Sam: You can come, Chris. Definitely.

I do a remix show on Purple Radio, what’s your take on remixes and that genre?

Johnny: Great, yeah I love the idea. We’ve got some stuff being remixed at the moment, by this guy who created these amaxing drum n bass/gabba experiences of Let’s Tea Party. Mastercraft’s remixes are absolutely incredible…Boys Noize…,I’d love to get Erol [Alkan] to do some stuff…

Rich: I really liked his production on the Mystery Jets album, I thought it was incredible, and obviously his remixes are pretty big as well.

Johnny: Oh, Panda Bear!

Sam: Brian Wilson!

Fantastic stuff. Thanks very much guys, and enjoy your gig in Fishtank!

Listen to Let's Tea Party at www.myspace.com/letsteaparty

 
Interview with The View, 21/10/08

By Megan Tinslay 

The View are running late on sound checks and so myself and two other interviewers get to go upstairs to hear them playing a couple of their new songs. We’re each given a member of the View to chat to and I get to speak to Kieran in the Carling Academy One upstairs area (the band are going to be playing in Carling two – the smaller and very intimate venue). On entering, Kieran tells me he’d rather be playing in this venue because it’s still small but has more atmosphere and people.

Kieran starts by telling me a little about their new album being slightly different from before and he hopes the fans will still like it. It’s more for connoisseurs of music and includes strings. He says it’s based a lot more on fantasy, not about wearing the same jeans etc, and he’s not sure yet what the reaction will be to it.

While I’m getting the microphone ready he points out some of his tattoos, including his ex-girlfriend’s lips, a heart (which his girlfriend drew on him while sleeping and so he got it tattooed) and a tattoo which reads ‘Busker’; which I presume is a reference to their debut album ‘Hats off to the Buskers’ released in January of last year.

(The riff for face for the radio is playing in the background)

Me: Have you ever tried busking yourself?

Kieran: Not really no. We played outside to people but no-one gave us any money so I don’t know if that counts as busking or not.

Me: Whereabouts were you playing?

Kieran: A load random places outside venues and stuff

Me: And your new album is called Which Bitch

Kieran: Yeah witch as in pointy hat witch on a broom and then bitch as in bitch. Kyle’s named this one so it’s what he’s come up with and it’s because it’s which bitch are we talking about as there are some songs about girls on it. But it’s just cos he’s obsessed with witches really.

Me: What gave you the inspiration to write about fantasy? Was it based on dreams or thoughts?

Kieran: I don’t know really, it was just what we started writing about. I don’t know, we’ve done the reality thing, there are still some songs with reality in it but we’ve made them seem a bit more, not just one dimensional.

Me: How was it having strings on your new album?

Kieran: It was really pretty cool, because I’m normally always against strings. If someone had said let’s put strings on it I’d say no, but we had this really good guy called Ollie from NY and he did the whole string section himself, like it sounds like a whole orchestra, but it was just him playing on his own. We were recording in Brixton and we’d email him the track then 24hours later it would come back with all the strings on it, so it was pretty cool. They’re not really, like, over the top kind of gospel strings, you know, like some people do. It’s sort of most staccato, one of the songs actually sounds like fantasia, you know that old cartoon (starts mimicking it) like that. Some of it’s pretty trippy and some of it’s not. There’s a song with Kyle singing and just one acoustic and them singing. There are ones that are really extremely different.

Me: Did you write any of them while drunk?

Kieran: Yeah we wrote all of them while drunk

Me: Are there many days on tour when you’re not drinking?

Kieran: Er, I never drank yesterday. I had a day off yesterday but Kyle and that, they kept going. There’s a couple of days off, every now and again. (Reputation as bad boys?) No, not really. We’re more just clumsy when we’re drunk, we’re not intentionally bad boys

Me: How many drinks would you say is optimum before going on stage?

Kieran: I don’t know. There’ll be some times I’ll have absolutely hundreds, well not hundreds but around twenty. What professionally? What makes for an alright show? I think if you go over, I don’t know, about five or six you’ll be playing a bit more sloppier than you did if you’d only had four. Sometimes you have ten, but it’d be better for you than for anybody else

Me: What are the after parties like? What do you do once you’ve finished a gig?

Kieran: Last year there were a lot of after shows but with the smaller venues you don’t really have the chance so everyone comes on the bus, for the after show. But the security’s freaking out because there’s always too many people on the bus, so I think they’re trying to organise a special VIP section in each of the venues, but that doesn’t seem to be working very well

Me: Why do you prefer playing at bigger venues to smaller ones?

Kieran: Well I don’t know, I like playing them all. I would say this is a smaller one compared to an arena or a festival. I like them all, I like all the different types of gigs.

Me: How do you find playing at festivals with other bands compared to playing your own gigs?

Kieran: It’s really satisfying if you get a whole crowd going at a festival, because they’re not all there to see you. When someone comes here to buy a ticket then they’re coming here because they’re a View fan and they want to have a good time, whether it’s really good or not. But if you get a whole festival going when they’re not here to see you it’s pretty cool.

Me: What’s your favourite festival you’ve played?

Kieran: T in the park. By miles, I guess it’s a league above the rest of any other festivals I’ve been at

Me: Was that last summer?

Kieran: Yeah, that was last summer, yeah

Me: What started off your View are on fire chant?

Kieran: A guy at Leeds started singing it. He’s actually the lead singer of Kyle’s brother’s band, but he wasn’t at the time, he just came to the gig. He just started singing it and it really took off for some reason, I don’t know why

Me: So when you play London, North England or Scotland where do you find you get the best reception and where do you enjoy playing most?

Kieran: I enjoy playing in Scotland most because that’s where you get the best crowd, I’m not saying that because I’m Scottish or anything, it just is. We’re just like, sort of a bigger band in Scotland and most of the people in the crowd are mates so they go mental, but you get Newcastle, Manchester always good crowds. The further South you go the more reserved you get. But I’ve been to see some bands in London and the crowd don’t seem to move at all but we seem to get a better response. (Any tricks for getting the crowd going?) When you stop playing and start clapping is always good a good one. Let someone sing the chorus or something

Me: Have you ever done crowd diving?

Kieran: Oh yeah loads of times. Loads and loads of times. Haven’t done it on this tour yet, but we’ve got more stuff to think about now though. I’ve got the earphones I wear on stage now that I listen to the whole band through and they cost me like 5000 pound or something. High-tech so I don’t want someone to pull them out. (Any times not been caught properly?) There was one time, the first time we went to Japan we were at doing indoor festival and Ordinary Boys were on after us and me and Kyle were steaming, like really badly steaming and during the ordinary boys set we started dancing and jumped into the crowd and no-one caught us at all, we just landed on the ground. It serves us right though

Me: Where have you played outside or the UK?

Kieran: We’ve done Japan, we did do America until we got banned. Um, we’ve done Australia and like Germany, France, Switzerland, Spain, like Italy and Holland. We’ve done all Europe basically and Japan, Australia, America

Me: Is there any chance you can get the ban changed for America?

Kieran: Yeah, we’re working on it. We’re working on it right now. Me and Kyle got quite a prestigious American award for song writing so that’s supposed to maybe help us out and we’ve not been in trouble again since, really, so...

Me: When would you like to go back?

Kieran: I’d hope to go back the end of this year. Do another big tour of Britain with decent sized venues, do the festivals and then hopefully we’ll go back to the States or something

Me: So you’re planning on doing bigger venues after this album’s out?

Kieran: Yeah I think so. I think we’ve got it pencilled in.

Me: What was the plan with doing smaller venues this time?

Kieran: It’s just kind of like where we started off with smaller venues so we thought we’d do it again and we have this thing to always make sure our tour lasts longer than anyone else’s in NME. So there’s a lot more small venues than big venues. We’ve always got the longest tour. (Any rivalries?) I slagged off the Keiser Chiefs when I was drunk once. It was my first interview with NME and they brought us beers and got us drunk so we’d say stuff. We started saying stuff we weren’t meant to and I started slagging off the Keiser Chief’s album, which I don’t like, but I’ve met them at festivals and stuff and they’re really nice guys so I take that back.

Me: Have you always wanted to be in a band?

Kieran: I’ve always wanted to be in a band yeah. I think so, since I was about 14, 13-14

Me: What got you to where you are now?

Kieran:  I don’t know we just started as a band in Dundee. We did the Babyshambles tour and that helped us out a lot

Me: Have you had a highlight of it all so far?

Kieran: I’ve got a few highlights. I think Glastonbury was good but I can’t really remember it, but I saw myself on TV and it looked like I was enjoying it. T in the Park, I loved that, and the rides on the helicopter. We played like a headline show. What other highlights have I got? Last year there were a few on tour, there’s too many good memories

Me: What about lows?

Kieran: Ah, there’s far too many of them, I don’t know. I can’t really complain about any of the lows because it’s all my own fault

Me: Have you had many slip ups on stage?

Kieran: Yeah, I decked it on stage a good twenty times. I fell at one of the arenas which hold, I don’t know how many people – probably thousands and thousands and thousands. I walked on and said ‘hi my name’s Kieran’ and slipped and fell on my arse. What else have I got? The first part of the tour with the Vines and everyone hated us, they wanted us to get off. When I came on and said ‘hi my name’s Kieran’ they all shouted ‘ah your zips down’ and I was like, argh

Me: You’ve said before that your influences were Crowded House, Beatles and Squeeze – do you have a favourite song from each?

Kieran: Actually they were more Kyle’s influences, but I can still give you one.  It would be Private Universe, Revolution first version and Up the Junction are the best singles

Me: So what would be your main influence?

Kieran: The Clash, The Ramones and stuff, I don’t know, don’t ask me to name any of them

Me: You were also on Soccer Am last year – how did you find that?

Kieran: Yeah that was alright, because normally when you’re in a band you usually work at night, and everyone’s normally drunk and stuff, but we had to get up really early in the morning to do that. Kick footballs about and stuff. Have a game of football with the kids, it was cool different from a messy night out. It was funny, all the camera men and everyone are hilarious

Me: How do you find radio and television interviews?

Kieran: We’ve had loads of radio interviews and television interviews. I prefer the radio ones because they just hold out a Dictaphone and there’s no camera, so you don’t have to make sure you’ve shaved

Me: What about phone interviews?

Kieran: They’re the most annoying interview to do because there’s always crackling lines and stuff

Me: Finally what are you planning to do now to get ready to go on stage?

Kieran: My mates have just come so I’m going to go to the pub and catch up with them as I haven’t seen them in a couple of weeks. Get ready for the show and the next one tomorrow we’re playing in Hull

 
Interview with Does It Offend You, Yeah?
Does It Offend You, Yeah? are a band set to storm 2008 and are to play in the upcoming NME shockwavestour early next year along with The Cribs and Joe Lean and the Jing Jang Jong. Their distinctive electro punk sound comes to life in their live shows and isan experience not to be missed. Kelly Sinclair was able to join the band, made up of Morgan,James, Dan, and Rob, at their show in Peterborough at The Met Lounge to see howthis year has gone for them.

PR: How has 2007 gone for you guys?

Morgan: What was it how many Tours did we do?

James: Three tours? A lot of sitting in the studio, scratching our heads trying to come up with an album. 

PR: You toured with Hadouken! how did that go? Yeah it was good. It went really well, that was our first tour actually.

PR: Ah Yeah, I saw you guys at Reading, it was really good, how did you find it, was it big compared to where you’ve played before?

Dan: Well I started off the wrong tunes at the wrong times.

Morgan/James: Was that you?!

Dan: Everyone looked round at me like… what?!

James: I think it was coz it was, well for us three, home turf so it was a little bit more special than other gigs.

PR: Were you pleased with the reception you got?

James: Oh yeah, definitely, it was amazing

PR: Do you prefer playing larger places like that then the smaller venues?

James:Nah, not really. As long as the venue is full and everyone is having a good time.

Morgan: I have to say, it’s not necessarily about how large the audience is, but a big stage is a lot of fun, ‘cause there’s a lot of equipment, so when there’s a big stage its really nice ‘cause you can move. The smaller the stage gets the more you’re running into each other.

We played this gig once and I head-butted the top of James’ bass, my eye was f**ked.

Dan: James cut my face with his bass guitar.

James: Yeah like I come off stage and go up to Dan who’s got blood streaming down his face. I ask him like ‘when did you get hit?’ and he’s like ‘you hit me with your f**king bass!’.

Morgan: Basically yeah, the smaller the stage, the more it’s ridiculous it gets.

PR: Have you ever played in a place where it’s really cramped to the point where you’ve not enjoyed it?

Morgan: Nah, it’s still good

James: I think the most cramped show we’ve ever done, was the first show we ever did in Liverpool. I couldn’t move, there was the side of the stage; it was like this big (James roughly gestures to it being a foot in length!) It was tiny.

Morgan: And it was mirrored! That was f**king weird. It was like a box, basically you were facing head on, and it was deep so the back had mirrors and the side had mirrors and there was red around the mirrors, so it was just like…

And if you looked up there was a window where people could look in at you, and there were people walking past, or just doing stuff and you’re just like for f**k’s sake.

James: Actually it was alright, it was a good gig!

PR: This year there has been a huge focus on electro and the whole ‘New Rave’ scene. What do you think to it? As it’s taken over this year, you see it everywhere and even in fashion.

James: Well when people hear our album they’re going to be like ‘that’s not what I was expecting!’

PR: Have you ever been labelled ‘New Rave’?

All: oh yeah all the time

Morgan: But I don’t think people know what New Rave means really. I mean the reason it’s so visible in the shops is just because there’s colours now. Like when The Strokes came out shops like Topman just stock leather jackets, black jeans and grey shirts. Now it’s like wow, everyone’s discovered colour, but just because I’ve got on some colour doesn’t mean I love a New Rave band, who shall remain nameless. I think if people call us New Rave it’s just a bit lazy, but at least they’re not calling us s**t.

PR: A lot of people compare you to the likes of Daft Punk and Justice, would you say your influenced by them, or that you sound is different as well?

James: Well this is the thing, we’re all like eclectic musically, and we all like bits of everything. Well what happened was, well me and Dan went out to a club a few years ago which played Daft Punk and stuff and we got into it, we really liked the stuff. So we thought let’s have a go at writing some stuff, so once we wrote it, it got noticed, but we’re not really like ‘that’s our sound’.

The album’s really eclectic, there’s a lot of different styles in there, and once the album’s out I think people are going to drop that whole Daft Punk sort of thing. There are some tracks on the album which have no synths on at all, so it’s something we keep reading now and we’re thinking, they’re not going to be saying that.

PR: When’s the album out?

Erm, March

PR: You’ve got a tour coming up early next year haven’t you?

James: Yeah we’ve got the NME tour with erm..

Dan: Joe Lean and the Jing Jang Jong, The Cribs, The Ting Tings.

Rob: It the worst name band tour!

PR: Yeah actually, it’s been written that you’ve been given the Worst Named Band 2007.

James: We were actually mis-quoted. We were just put in a list of bands that had bad names I think!

PR: What does you band name actually mean?

James: Nothing. It’s something somebody said once, and we just though, that’ll do.

Rob: Nah, It was the name of the Myspace.

James: It was like we needed to put some tracks up on Myspace, we need to call it something, something was on TV and somebody said something on it and we were like, that’ll do.

The thing that I love is that some many people are like ‘oh that’s so Nathan Barley’ the name. We just think if they knew how we came up with it, they’d just be…

Dan: I’ve never even seen Nathan Barley

Morgan: I’d seen it and kinda got the connotation.

James: I was like who’s Nathan Barley? It’s like this guy, some Shoreditch trendy. (It turns out to be a sitcom about a guy who thinks he’s the epitome of cool living in London). I was like, but, what?!

Morgan: It’s funny how people always say that about Shoreditch, and they haven’t even been to Shoreditch. It’s not that trendy man!

Dan: I think it’s just Nathan Barley there!

PR: So are you guys looking forward to 2008?

James: It’s going to be the big year for us. I mean it could be good or could be bad.

PR: How?

Morgan: Well it could be possible it could be lukewarm as well you know. As long as we don’t get dropped and as long as people still come and watch us!

PR: A lot of people think it’s going to be a big year for a lot of bands, do you think there are any other bands which we should be listening to?

James: Late of the Pier?

Morgan: Erm, I think ffLate of the Pier, ahhh, no! Just Late of the Pier!

After giving us an insight into what we should be listening to, what that name actually means, and what we should come to expect to see from them in 2008, they followed the support acts with an amazing set which  literally made the crowd jump around and go crazy. They’re stage presence captivated the audience as fans shouted for more, and sung a long to songs like ‘let’s make out’. They ended their set on an eagerly anticipated ‘We Are Rockstars’ which made everyone in the entire place dance like crazy, and only to top it off with Dan crashing his keyboard into the ceiling to finish.

With the NME tour and they’re debut album, this band is going to really show everyone what they’re about in 2008.